“Definition of the Independent Film is Torture with less money and time   ― Joey Lauren Adams

Cult Critic Film Magazine: Top 50 Filmmaking Blog and Websites

Welcome to the December 2018 issue of Cult Critic Magazine. It's the end of 2018 - we're currently witnessing the last days of a year that will never happen again. But what's interesting is that with less time we have, the richer the World film library gets. Ever new film you create contributes to a richer past, present and future. And although 2018 is soon over, a new year will come in its place and with this, we want to thank all filmmakers for contributing to the global opus of filmmaking. Thank you for your hard work and most importantly, thank you for making us laugh, cry, angry, compassionate and better people.

We try to conjugate the various aspects of filmmaking with film reviews, interviews, tech tips, analysis of some cinematic legacies and detailed reports on global motion picture and digital entertainment industry. This path brings out new cinematic voices, reinforces a global culture of filmmaking with no frontiers of any kind, and promotes the passion to capture and reinvent the world through cinema. With that, we hope we'll fulfill all our duties and although we're serious about our work, at the end of the day we can't help but smile.

This is a long-term goal for Cult Critic and Human Lab Corporation, the company which is running the film magazine, Calcutta International Cult Film Festival and distributes independent films globally. A positive perspective is invaluable and vital in the quest for success. Last year we saw a comprehensive range of filmmakers who set a new benchmark in the world of cinema through some explicit works. This year Cult Critic Magazine welcomes all zealous and fervent filmmakers who not only fought their own battles in representing their films but also created a niche in the world of cinema.

With articles from professional filmmakers, Cult Critic also brings to bear the market trends in digital entertainment and filmmaking worldwide. This is more of a trade publication than a movie tabloid and thus Cult Critic serves as a network for filmmakers to advertise, share their expertise, interact and grow within a more self-reliant and autonomous structure.

So stay tuned and enjoy this monthly edition.

On behalf of the Cult Critic Team, I wish you all the best! Move forward zealous filmmakers and with each day become better!




Antonio Rozich

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Visitors: 2017


The independent filmmaker is a cinematic rebel, constantly striving for expression in a bold and innovative way. Welcome to Mise en Scène.


Our Artist on Artist approach is what makes our reviews worth reading. Monthly peer-reviewed international film selections.


 One of the interviews Cult Critic Film Magazine brings in this month is with  Sebastian Jaimes Ramos, the director of The Crimson Flower.

The one and only - Alfred Hitchcock. What's there left to say that already hasn't been said? A lot.

Are web series the future of entertainment and something young filmmakers should focus on.

The digital age brought both good and bad for filmmakers to-be! We're here to focus on the good.


Publicity, Critical Review, Business Consultation

Need to know the reception of your film from the perspective of a film watcher? Want powerful publicity that will get people into festivals to watch your film and request it on Netflix? Then the Critical Review service is for you. Our reviewers are film enthusiasts who enjoy Indie films as much as Hollywood films. They’ll give your film a fair shake and tell other viewers what they liked and what didn’t work for them in a short, succinct review that’s great for press kits and marketing.


Designed for filmmakers to learn how to make better films and for a filmmaking audience. Critiques are published here at Cult Critic to provide help for both the submitting filmmakers and for our readers. Remember, these are NOT film reviews, which are for general publicity and public interest, but are instead film critiques which are done by trained filmmakers to help you make better films. Most critiques are two to four times longer than a review due to the depth and scope.


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