CULT CRITIC: THE COLLECTIVE VOICE OF INDEPENDENT FILMMAKERS OF THE WORLD
“I foresee no possibility of venturing into themes showing a closer view of reality for a long time to come. The public itself will not have it. What it wants is a gun and a girl.” ― D.W. Griffith
Welcome to the April 2018 issue of Cult Critic magazine. Although April starts with a "fool's day", filmmakers are as serious as ever. This doesn't mean they are those people at the party who forgot how to laugh, but it means they are serious about their work 365 days a year. Cult Critic has been showered with incoming films - both short and features, fictional and documentaries. With such an impressive task in front of us, we also have to take our work as serious as possible.
We try to conjugate the various aspects of filmmaking with film reviews, interviews, tech tips, analysis of some cinematic legacies and detailed reports on global motion picture and digital entertainment industry. This path brings out new cinematic voices, reinforces a global culture of filmmaking with no frontiers of any kind, and promotes the passion to capture and reinvent the world through cinema. With that, we hope we'll fulfill all our duties and although we're serious about our work, at the end of the day we can't help but smile. As a wise man once said: "Why so serious?".
This is a long-term goal for Cult Critic and Human Lab Corporation, the company which is running the film magazine, Calcutta International Cult Film Festival and distributes independent films globally. A positive perspective is invaluable and vital in the quest for success. Last year we saw a comprehensive range of filmmakers who set a new benchmark in the world of cinema through some explicit works. This year Cult Critic Magazine welcomes all zealous and fervent filmmakers who not only fought their own battles in representing their films but also created a niche in the world of cinema.
With articles from professional filmmakers, Cult Critic also brings to bear the market trends in digital entertainment and filmmaking worldwide. This is more of a trade publication than a movie tabloid and thus Cult Critic serves as a network for filmmakers to advertise, share their expertise, interact and grow within a more self-reliant and autonomous structure.
So stay tuned and enjoy this monthly edition.
On the behalf of the Cult Critic Team, I wish you all the best! Move forward zealous filmmakers and with each day become better!