CULT CRITIC: THE COLLECTIVE VOICE OF INDEPENDENT FILMMAKERS OF THE WORLD
“Definition of the Independent Film is Torture with less money and time ” ― Joey Lauren Adams
Welcome to the 2019 March issue of Cult Critic Magazine. Spring is knocking on our door and we decided to dedicate this issue to animated movies. Animation has a larger scope when it comes to the audience it tries to entertain. From a little child who's just getting to understand the beauty of filmmaking to seasoned viewers. Although it does fall more on the children's entertainment side, creative animators are constantly proving that animation can be chilling and sometimes can carry a heavy burden that's the same as one of the real-time films. Although spring is the time of rebirth, it's also the time when things stop. Since animation is the art of creating something out of nothing, it's only fitting we dedicate a whole month to its beauty.
We try to conjugate the various aspects of filmmaking with film reviews, interviews, tech tips, analysis of some cinematic legacies and detailed reports on global motion picture and digital entertainment industry. This path brings out new cinematic voices, reinforces a global culture of filmmaking with no frontiers of any kind, and promotes the passion to capture and reinvent the world through cinema. With that, we hope we'll fulfill all our duties and although we're serious about our work, at the end of the day we can't help but smile.
This is a long-term goal for Cult Critic and Human Lab Corporation, the company which is running the film magazine, Calcutta International Cult Film Festival and distributes independent films globally. A positive perspective is invaluable and vital in the quest for success. Last year we saw a comprehensive range of filmmakers who set a new benchmark in the world of cinema through some explicit works. This year Cult Critic Magazine welcomes all zealous and fervent filmmakers who not only fought their own battles in representing their films but also created a niche in the world of cinema.
With articles from professional filmmakers, Cult Critic also brings to bear the market trends in digital entertainment and filmmaking worldwide. This is more of a trade publication than a movie tabloid and thus Cult Critic serves as a network for filmmakers to advertise, share their expertise, interact and grow within a more self-reliant and autonomous structure.
So stay tuned and enjoy this monthly edition.
On behalf of the Cult Critic Team, I wish you all the best! Move forward zealous filmmakers and with each day become better!